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Nite Jewelry – an Interview with Nite Jewel
Sep 6th

The debut EP from LA native Ramona Gonzalez, a.k.a. Nite Jewel, is a listen reminiscent of the time when electronic music was all about experimentation. Back before it splintered into dozens of sub-genres, before mainstream was quick to name (and music fans were quick to hate on) the term “electronica”, the mood was more about self-exploration and creating art. Going back to that personal place of invention, the self-released “Am I Real?” is a unique and intellectual take on that time. Her live show, well-assembled and concise, adds to the dreamy, cosmic, lo-fi and somewhat retro aspects of the record – certainly the beginning of something great.
Below, Ramona talks about Krautrock, her recent collaborations, and using Logic. Read on for more!
1.) I loved your live show the other night at the Troubadour. How did the band come together?
Cole who plays keys and guitar is my long time collaborator. I stole him (back) from Ariel Pink back in spring 2010. Corey Lee on bass I asked to be a part of the band about a year ago. I met him when I first moved to L.A. It was ’07 I think; I was jamming in the early hours with some friends near his bungalow and that’s when we met. Gavin, the drummer, I met through Andrew and Daniel Aged of Teen Inc. Julia Holter is an old friend from early L.A. days like Corey. I’ve been a fan of her music for years now and we have always liked singing together.
2.) Who would you love to collaborate with?
I’ve done a number of collaborations recently with the likes Dam-Funk, Teen Inc, and Heart Shaped Rock. These have been truly rewarding, but right now I’m really trying to focus on the new Nite Jewel full length and with instrumentalists and vocalists who are working directly on my recordings with me (e.g. my band). Ideally, I would like to do a remix for Autechre, but I don’t think they do that sort of thing.
3.) I read somewhere that your musical inspiration includes everything from Kraut Rock to New Age. In general, who are some of your artistic influences, music or other?
Ah the inevitable question. For some reason, I think perhaps because I’m really tired, I will answer this question directly for the genres just mentioned. In Krautrock, I’d say I’m very influenced by Kraftwerk’s early Ralf & Florian records, CAN’s “Future Days”, Amon Duul II’s “Wolf City” & “Only Human”, Neu! 75, Cluster’s “Curiosum”, ”Zuckerzeit”, “Sowiesoso”, and “Grosses Wasser”, and the many solo recordings and collaborations manifested therein. For New Age, to name a few: Iasos, Ojas, Constance Demby, Collie Ryan, Larkin, and Michael Stearns (esp. “Planetary Unfolding”).
4.) When creating the EP, was there anything about the creative process that was more challenging than you thought it would be? On the other hand, was there anything that came easily?
I’d say the most difficult thing was writing to Logic for the first time. Writing to a computer took getting used to and I’ll never like
it as much as tape. There was too much ease that came with it and it definitely was like putting up a fight with my conscience. On the other hand, it does allow for minute editing, which allows for more “sheen”. But being deep in the sheen is never good.
All the songs came naturally. They always do, otherwise I scrap them.
“Am I Real?” is available now.

Music Video as Interactive Art: Arcade Fire
Aug 30th


Arcade Fire, seminal indie band with the #7 record in the country (previously at #1), has teamed up with director Chris Milk and the good folks over at Google Chrome Experiments to create an interactive music video for the single We Used To Wait.
The first of it’s kind, the video utilizes Google maps + HTML 5 video, audio and canvas to present a multi-window, choreographed experience.
Simply enter the address of the house you grew up in and the feature takes it from there.
The experience was designed to work in Google Chrome, but seems to work in Safari too.
I’d rather not spoil anything – check it out for yourself, here!
Playlist Manifesting: What Makes a Great Mixtape?
Aug 23rd

Every single one of us can be a DJ . We have the ability to be an Influencer, a Critic – a Purveyor of fresh musical content.
From an accessibility standpoint, It’s becoming easier to queue up songs and create deep playlists based on the music we love. Between music blogs and social sites, we can preview tracks from established and brand-new artists. We can easily create playlists on the fly, spreading them far and wide to share our respective tastes and express our mood to the world.
Thanks to music blogs, we have the ability to hear upcoming singles at the same time (or even before) traditional musical tastemakers do. And we’re not restricted by FCC rules or political embargos.
The great news is that online music services are consistently getting better and the catalogues are becoming deeper. We can share tracks, solicit feedback, re-share what our friends have liked and even collaborate with them.
We are eager to share and eager to please.
With all of this newfound access, content will still prevail. There’s still an art to crafting the perfect mixtape – a perfect rhythm and balance that tells a story and will make your friends hunt you down for more.
For what it’s worth (and so I’ll stop babbling to strangers about this at parties), I’ve sketched out a few thoughts on what I think creates great playlist. As a DJ and musical programmer with several years of community + college radio experience, I feel that I may be able to speak semi-intelligently on the issue (ha). And if I really have no clue what I’m talking about, please feel free to call me out in any way you see fit (a playlist battle, perhaps? double ha).
Without any further ramblings, here within please find 7 general tips for giving your best set ever.
#1 Grab ‘em from the get go.
Traditionally, a DJ mix starts slowly then builds to peak at about 3/4’ths of the way through. While this may work on a dancefloor, a digital mixtape has different needs. You’ll want to grab the ear of the listener right away. This is ‘specially important in an online world where users don’t stick around for long.
With that said, this doesn’t mean you should put all of your bangers up front. It’s not a tempo thing. Instead, think about starting with something that’s simply really, really good. A banger can be the equivalent of shouting “WAKE UPPP!!” Not many people like that.
You can open your mix in a very subtle way (for example, a classical piece or a clever acoustic cover). Whatever you think is comfortable yet arresting.
The goal here is two-fold. #1 get their attention, and #2 set the mood.
Whichever way you choose to go, the opening track should set the tone for the rest of the mix.
#2 Pick a variety of songs – but stay consistent to your theme.
I have a friend who works in music supervision. He loves trendy indie bands on the folksy, whimsical tip. And while his mixtape selections are amazing – I always learn something new – in the end it sounds like one long record by the same band. Ultimately, unless he’s hitting fans within his niche directly he’s gonna lose people. The mix is too steady and listeners will easily get bored and go away.
Choose a variety of songs from different decades and genres. This opens up your work to a larger audience with a wider variety of taste. Mixing it up also keeps listeners on their toes. It keeps it interesting.
The way to tie it all together is through your theme – whether it’s by mood, subject, or purpose.
#3 Be relevant.
Don’t choose songs “just because”. Try to pick music that is culturally relevant and/or very specific to your theme. For example, you can include an artist who happens to be in town when you publish your mix, or you can feature a recently re-issued track from a brand-new soundtrack or collection.
#4 Know how to sequence tracks.
A good playlist is reminiscent and provokes emotion. It holds you. It grabs your attention with something familiar yet unique, comfortable yet exciting, and proceeds to take you on a journey. It slowly evolves and it’s purpose unfolds from song to song.
It has peaks and valleys, highs and lows. There are times in-between songs when you may find that it’s completely silent. There are other, more frenetic moments when you can’t tell when one tune ends and the next begins.
A good mixtape puts you in that place. It removes you from the world. It can drop you into a black hole or allow you to soar. You get lost in that hard-to-describe vibe, the one that removes you from where you physically are at that very time and place.
This is all in how you decide to order the songs. You’ll want to keep this “journey” in mind as you work.
#5 Build trust.
A good mixtape gains and keeps listeners by subtly earning their trust. Ultimately, the end-game is to enable them to appreciate and/or understand your taste and where you’re headed with your selections. When that happens, you’re upping the odds that the listener will be willing to sit through the more questionable tracks to get through to something really great that’s just around the corner.
#6 Be Yourself.
For me, sharing a mixtape is just spreading the word about stuff I love to my friends.
Putting together and sharing music is very personal. If you come across as if you’re trying to speak to everyone it can sound fake. It’s like the radio adage, “pretend that you’re speaking to one person.” Just be creative and express yourself.
Admittedly, I used to try waaay too hard on this front. I conformed to what I thought others expected me to play, and in radio, what they expected me to sound like on the mic. One DJ I trained under wanted more “bedroom voice”. I thought that was gross. It wasn’t natural, and inevitably didn’t work. The funnest shows and best feedback I’ve ever received was when I didn’t care about what I sounded like. Creating a sequence based on straight-up instinct over the trying-to-be- cool factor can, and will, prevail.
When you’re free from that fear of judgment and the self-imposed expectations that come along with it, you can post anything from obscure garage buzz bands to something deliciously Top 40. Because you’re being yourself and are a friend to your audience, your authenticity will shine through and they’ll get it.
With that said, if you know most of your friends are into a particular style, post it! You want to engage your network – it’ll be more worthwhile and relevant for them to check out. Hopefully they’ll be inclined to share as well. And, in your own interest, hopefully they’ll pay more attention the next time you post.
#7 Do it for the Love.
In the end, you want a mix that you’ll love. If you love it – add it. It’s that simple.
Pick openly, freely, and without abandon. The process is the best part.
It’s a tape for you.
It’s a reflection of yourself, your mood, your interests – a bookmark of where you exist at that particular place in time.
If others dig it – sweet! If not, you’ll always have your creation to love and revisit time and time again.
New Music No. 5
Jul 30th

Restless People
There’s something about the debut from Brooklyn-based Restless People that makes me really, really happy. It’s a great listen for summertime and nails the global, big breezy dance sound happening right now (check “Days of Our Lives”, below, for a reference to bands in a similar vein like Delorean).
The four friends have been working together in the groups Tanlines, Professor Murder, and Family Edition before coming together on this project.
The first single “Victimless Crime” is available on their site. I dig the description:
“Finger point / boogie / windmill / 2-step (??) / lie on bed & stare at ceiling / head bob / strut”
It makes me sympathize with artists in having to categorize their own music!
Get “Days of Our Lives” over at RCRDLBL.
The album is out September 14th (also National Cream Filled Donut Day! also my birthday! ) on IAMSOUND.

Andreya Triana
Andreya is a self-taught singer and songwriter from Brighton.
Her voice is soulful, hauntingly beautiful and put me in that “place” straight away. See for yourself, Andreya performing live with Simon Green aka Bonobo (also on the Ninja Tune label and producer of her debut album):
Visit her website for a free download of the tune “Lost Where I Belong” (the Flying Lotus Preview edit).
A Town Called Obsolete is set for release August 23rd on Ninja Tune.
http://www.ninjatune.net/andreyatriana/

Shit Robot
Irish born DJ Marcus Lambkin is Shit Robot. Co-founder to The Leaf label, he’s also co-conspiritor behind seminal NYC label DFA Records alongside LCD Soundsystem’s James Murphy.
Guest vocalists on the album include LCD’s Nancy Whang, Hot Chip’s Alexis Taylor, James Murphy, and more.
The long-anticipated debut From The Cradle to the Rave is out September 21st.
Hear the July Mixcast:
Full selections:
Arcade Fire “The Suburbs (continued)”
Christopher Willits “You Are Always Surrounded by Stars”
B.O.B. “Generation Lost”
Kid CuDi “REVOFEV”
Baths “Animals”
Onra “Mechanical”
The Chemical Brothers “K+D+B”
Shit Robot “I Found Love (TBD Remix)”
Kele “12 EYW – RAC Remix”
!!! “Blue (Bonus Track)”
Restless People “Basic Needs”
Local Natives “Wide Eyes (Fool’s Gold Remix)”
Awesome New Republic “Dark Water”
Hugo “99 Problems (Jay-Z cover)”
The Drums “Let’s Go Surfing (The Raveonettes Remix)”
Bryan Ferry “You Can Dance”
Kisses “People Can Do The Most Amazing Things (Saint Etienne Remix)”
School of Seven Bells “Windstorm (A Place To Bury Strangers Remix)”
Musee Mecanique “Sleeping In Our Clothes”
Laura Veirs “Summer is The Champion”
The first HTML5 album, from Francis and the Lights
Jun 30th
Muxtape founder Justin Ouellette is back with a design created specifically to play on the iPhone 4 and iPad. This is a great workaround as both operating systems notoriously don’t stream Flash. You can listen to the full album, embed it, and download tracks directly from iTunes all while multitasking (a new feature for the iPhone). Pretty cool!
New Music No. 4
Jun 27th
Here, the monthly mixtape! This one is light, breezy, and includes a couple of usual suspects by means of cool indie ‘ish alongside tunes just left of the mainstream. Besides some B-sides left from official releases (Raphael Saadiq, B.o.B.) we’ve got some fun remixes and party jams.
Enjoy!
A taste of who and what you’ll hear:
Human Life “In It Together” (Kris Menace Remix)”
A trio from Southern California made up of Joshua Collins, Matt Wasley & Rachael Starr. Their primary roots are in house music and they toe the line between cool dance and accessible pop which seems to be a big trend right now. It makes sense, as their influences cite everything from French and Chicago house to Genesis, Depeche Mode, Prince and the Happy Mondays.
http://www.myspace.com/humanlifedjs
The Acorn “Restoration (Four Tet remix)”
The Acorn is Rolf Klausener and friends. They’re from Ottawa, Ontario and started writing in 2002 under the name The Acorn. Their vivid songwriting and eclectic instrumentation is inspired by beauty in nature – and is shimmeringly beautiful. The album came out June 1st on Bella Union (the British indie label started by the Cocteau Twins). Pick up 2 free downloads in the mp3 store over at amazon.com.
http://www.myspace.com/theacorn
MNDR “Fade To Black”
MNDR aka Amanda Warner is another artist who combines pop with a love of electronic music.
Gotta give it up for the girl who can do it all – she singularly incorporates her well established musical background (midi programming, sound design, and analogue skills) and has toured with The Shins, The Fruitbats, and Har Mar Superstar among others.
An Amazon search delivers a nail polish by OPI in Electric Orange, so you’re better off hitting iTunes for her EP that came out in April.
Mark Ronson & The Business INTL “Bang Bang Bang” f. Q-Tip and MNDR
The forthcoming album from super-producer Ronson ditches the funk and soul sensibility of his past for a totally different sound. Forever keeping us on our toes, Ronson goes in a different direction incorporating synths and an 80′s dance aesthetic to bring the party proper.
As his past albums that featured collaborators like Wale, Daniel Merriweather and Amy Winehouse, Record Collection - due in September – includes an all-star ensemble including the likes of Boy George, D’Angelo, and Ghostface Killah.
Mos Dub “Hurricane Black” (instrumental)
A free download album from Max Tannone, the same gent who brought us Jaydiohead.
http://soundcloud.com/maxtannone/sets/mos-dub
Alicia Keys “Unthinkable (Lenzman D&B Remix)”
A remix of the inimitable songstress Alicia Keys by Lenzman, a self-described soulful drum & bass producer from the Netherlands. He has a lot of material on Beatport, most of it within the last year or so. No official album yet.
His Soundcloud page is pretty active too -you can check it out at: http://soundcloud.com/lenzman
// the full tracklist //
The Acorn “Restoration (Four Tet remix)”
Human LIfe “In It Together”
MNDR “Fade to Black”
Mark Ronson and The Business INTL “Bang Bang Bang feat. Q-Tip and MNDR)”
Curtiss King “Ren & Stimpy feat. Pheo & Ram)”
The Roots “How I Got Over”
B.o.B. “Trunk Band (feat. T Pain)”
Raphael Saadiq “Seven”
Foals “Miami”
Elite Gymnastics “Real Friends”
The XX “Infinity (Bachelors of Science remix)”
Alicia Keys “Unthinkable (Lenzman Drum & Bass remix)”
The Pharcyde “She Said (Portishead remix)”
Lindstrom & Christabelle “Lovesick”
Ratatat “Alps”
MixCast
Podcast (coming soon)
New Music No. 3
May 26th
A mix of some music I’ve been digging this month.
Who You’ll Hear…
Ana is a multi-lingual Chilean rapper who raps melodically in both Spanish and French. Weaving insight and soul into the stories she tells, this beat-driven album is one of my favorites for 2010!
Junip
“Rope & Summit”
This is José González’s band and although they’ve been around for a minute, it’s the first official single coming from the first official EP of the same name. Junip will be touring in early June with an album coming in September and a full tour in November.
Tame Impala
“It Is Not Meant to Be” Innerspeaker (Modular)
Following in the steps of other amazing bands to come from the land-down-under as of late, Tame Impala are from Perth. They’re touring w/ MGMT - sharing a particular junkyard psychedelic sound that MGMT has brought to the forefront of their own latest album. The record “Innerspeaker” is out June 8th in the US.
Penguin Prison
“Something I’m Not (BretonLABS remix)”
Penguin Prison is Chris Glover, a dude from Manhattan who has done remixes for Goldfrapp, Marina & the Diamonds, Sébastien Tellier, Ellie Goulding, among others. This is a remix of his second single that came out in March. Get a FREE copy of the original along with 3 remixes at RCRDLBL.com.
http://www.myspace.com/penguinprison
Broken Social Scene “All To All”(Arts & Crafts)
BSS is a Canadian collective signed to Arts & Crafts records. Most of the musicians are members of others bands, or perform as solo artists (a few names that might ring a bell: Apostle of Hustle, Jason Collett, Leslie Feist, Kevin Drew, Metric, Stars, The Weakerthans). “All To All” is their first album in 5 years, out now.
Future Islands
“Vireo’s Eye” (Thrill Jockey)
Future Islands are a synthpop band from baltimore that formed in 2006 Greenville, NC while studying art at East Carolina University. They signed to Chicago indie label Thrill Jockey last year and the album “In Evening Air” came out early March. On tour now, they’ve got a few dates with Dan Deacon also from the B-More scene. They recently played in Los Angeles May 21 at Sync Space and the 22nd at The Smell.
http://www.myspace.com/futureislands
The National
“Sorrow (Instrumental)” High Violet (4AD)
I’ve always adored the baritone voice of singer Matt Berninger. Each song is epic and the instrumental versions really bring forth the talent of the band.
Miguel feat. J Cole
“All I Want is You” (Jive/Zomba)
Miguel is a singer, songwriter, musician and producer signed to the Jive/Zomba label. He did a cameo on Blu & Exile’s 2007 album “Below The Heavens” and was also on Asher Roth’s 2009 debut album, “Asleep In The Bread Aisle”. Now, he’s stepping out with his debut due later this year!
Watch him talk about the collab with J Cole here (via The Qside.com):
http://www.theqside.com/2010/04/11/miguel-talks-j-cole-collab-2/
http://www.myspace.com/miguel
cool videos including some covers
MIA
“XXXO” (N.E.E.T.)
A single from her upcoming album coming June 29 on her own label. Collaborators include Blaqstarr, Diplo, Rusko, Derek E. Miller of Sleigh Bells (also signed to her label, N.E.E.T.) and Switch.
You may have already seen the video for her other single “Born Free”. Quite controversial, it was removed from YouTube but now it’s back up (flagged as inappropriate). Check it out:
http://www.youtube.com/watch?v=IeMvUlxXyz8
Kele Okereke
“Tenderoni” (Glassnote)
The 28 year-old singer from Liverpool is best known as the frontman from Bloc Party. His solo album “The Boxer” is out June 21 and I can’t wait to hear it! It’s produced by Hudson Mohawke and XXXChange and from the singles sounds like it’ll be more on the electro side of things. Preview more songs, watch videos, and see tour dates here:
Deluka ”
Cascade (Deluka vs. Friendly Fires Chuck Buckett Mix)”
The single out now digitally along with a couple of amazing remixes. I believe the full-length is coming later this year.
Get a free MP3 of this song: http://deluka.bandcamp.com/
Airship
“Kids” (unsigned)
These guys hail from Manchester alongside their contemporaries like Delphic and Dutch Uncles.
Their self-released album came out this week.
Their travelog is cool. Check it out:
http://www.myspace.com/airshiptheband
New Music Preview No. 2
Apr 11th
Here, a mixtape of songs I’ve been loving this month.
The first cut resulted in something quite stormy and dark. It ultimately sounded boring to me because - although the thematic element I wanted was there – it was one long piece without any interesting twists or turns.
This version is a little different. It mixes up different styles and still somehow remains true to the theme I was originally going for.
Speaking of that theme, a few days ago I realized the mix is actually about someone (…that creative process!) which for me meant that i needed to finish it as quickly as possible to move on to the next thing! So, it’s finally done.
I think you might like it. Please enjoy (you can click the little arrow to download). Read about the artists below, and don’t forget to tell me what you think!
besos.
nic.
//tracklist
efterklang “modern drift”
jónsi “tornado”
foals “spanish sahara (mount kimbie remix)”
ellie goulding “under the sheets (chiddy bang remix)”
chiddy bang “kids”
the kissaway trail “SDP”
joan jett and the blackhearts “crimson and clover”
the national “bloodbuzz ohio”
near the parenthesis “diffused”
jamie cullum “if i ruled the world”
Who you’ll hear…
jónsi “tornado”
foals “spanish sahara (mount kimbie remix)”
ellie goulding “under the sheets (chiddy bang remix)”
chiddy bang “kids”
the kissaway trail “SDP”
joan jett and the blackhearts “crimson and clover”
the national “bloodbuzz ohio”
near the parenthesis “diffused”
jamie cullum “if i ruled the world”
Efterklang
I can’t stop listening to this one from the amazing Copenhagen group named Efterklang. Wikepedia says that their name comes from the Danish word for “rememberance” or “reverberation”… you can definitely hear the meditative contemplation in their songs. The third studio album ”Magic Chairs” was released at the end of February – and it’s simply stunning.
http://www.myspace.com/efterklang
Jónsi
Jonsi is best known as the guitarist and vocalist for the Icelandic post-rock band Sigur Rós. He kicked off his tour this month with a show at the showbox sodo in Seattle, followed by several more gigs including the Coachella Music Festival on Sunday – one of of the performances I’d be most eager to see. British film company 59 Productions designed stunning visuals for the show by incorporating Jónsi’s key influences on the album.
More:
Foals
This single on the mix is a remix of “Spanish Sahara”, from their 2nd studio album due in early May. I can’t decide if I like this version or the original better. They’re equally striking. What do you think?
Ellie Goulding
In a sea of young up-and-coming female singer-songwriters Ellie appears to be breaking the mold. She forgoes the popular genres of soulful underdog or goofy electro-pop darling with an album that’s uniquely her own. She won the Critic’s Choice awards at the 2010 BRIT Awards, setting the stage for big things to come. Album is out now in the UK.
http://www.myspace.com/elliegoulding
Chiddy Bang
Two college dudes bound for greatness, they’re making original beats AND cooking up great remixes of artists like Sufjan Stevens, MGMT, and Radiohead. Kanye-esque and super-fresh.
http://www.myspace.com/chiddybang
Joan Jett and The Blackhearts
A nod to the film The Runaways, in theatres now.
The National
This is the first single from their new release “High Violet”, out 5/11 via 4AD. You can snag a free download of the song from their site here: http://www.americanmary.com.
Near the Parenthesis
Dreamy, thoughtful and multi-dimensional: this is a great record all around. “Music for the Forest Concourse” is out now.
http://www.neartheparenthesis.com
Jamie Cullum
I never knew too much about Jamie – he’s relatively new to me and I quite like his sound.
He has a new album this year along with a new show on BBC Radio 2 Thursdays. Check out music, events, tour dates and more:




































