music, culture, discourse, new media
content
Music Video as Interactive Art: Arcade Fire
Aug 30th


Arcade Fire, seminal indie band with the #7 record in the country (previously at #1), has teamed up with director Chris Milk and the good folks over at Google Chrome Experiments to create an interactive music video for the single We Used To Wait.
The first of it’s kind, the video utilizes Google maps + HTML 5 video, audio and canvas to present a multi-window, choreographed experience.
Simply enter the address of the house you grew up in and the feature takes it from there.
The experience was designed to work in Google Chrome, but seems to work in Safari too.
I’d rather not spoil anything – check it out for yourself, here!
http://www.chromeexperiments.com/arcadefire

Playlist Manifesting: What Makes a Great Mixtape?
Aug 23rd

Every single one of us can be a DJ . We have the ability to be an Influencer, a Critic – a Purveyor of fresh musical content.
From an accessibility standpoint, It’s becoming easier to queue up songs and create deep playlists based on the music we love. Between music blogs and social sites, we can preview tracks from established and brand-new artists. We can easily create playlists on the fly, spreading them far and wide to share our respective tastes and express our mood to the world.
Thanks to music blogs, we have the ability to hear upcoming singles at the same time (or even before) traditional musical tastemakers do. And we’re not restricted by FCC rules or political embargos.
The great news is that online music services are consistently getting better and the catalogues are becoming deeper. We can share tracks, solicit feedback, re-share what our friends have liked and even collaborate with them.
We are eager to share and eager to please.
With all of this newfound access, content will still prevail. There’s still an art to crafting the perfect mixtape – a perfect rhythm and balance that tells a story and will make your friends hunt you down for more.
For what it’s worth (and so I’ll stop babbling to strangers about this at parties), I’ve sketched out a few thoughts on what I think creates great playlist. As a DJ and musical programmer with several years of community + college radio experience, I feel that I may be able to speak semi-intelligently on the issue (ha). And if I really have no clue what I’m talking about, please feel free to call me out in any way you see fit (a playlist battle, perhaps? double ha).
Without any further ramblings, here within please find 7 general tips for giving your best set ever.
#1 Grab ‘em from the get go.
Traditionally, a DJ mix starts slowly then builds to peak at about 3/4’ths of the way through. While this may work on a dancefloor, a digital mixtape has different needs. You’ll want to grab the ear of the listener right away. This is ‘specially important in an online world where users don’t stick around for long.
With that said, this doesn’t mean you should put all of your bangers up front. It’s not a tempo thing. Instead, think about starting with something that’s simply really, really good. A banger can be the equivalent of shouting “WAKE UPPP!!” Not many people like that.
You can open your mix in a very subtle way (for example, a classical piece or a clever acoustic cover). Whatever you think is comfortable yet arresting.
The goal here is two-fold. #1 get their attention, and #2 set the mood.
Whichever way you choose to go, the opening track should set the tone for the rest of the mix.
#2 Pick a variety of songs – but stay consistent to your theme.
I have a friend who works in music supervision. He loves trendy indie bands on the folksy, whimsical tip. And while his mixtape selections are amazing – I always learn something new – in the end it sounds like one long record by the same band. Ultimately, unless he’s hitting fans within his niche directly he’s gonna lose people. The mix is too steady and listeners will easily get bored and go away.
Choose a variety of songs from different decades and genres. This opens up your work to a larger audience with a wider variety of taste. Mixing it up also keeps listeners on their toes. It keeps it interesting.
The way to tie it all together is through your theme – whether it’s by mood, subject, or purpose.
#3 Be relevant.
Don’t choose songs “just because”. Try to pick music that is culturally relevant and/or very specific to your theme. For example, you can include an artist who happens to be in town when you publish your mix, or you can feature a recently re-issued track from a brand-new soundtrack or collection.
#4 Know how to sequence tracks.
A good playlist is reminiscent and provokes emotion. It holds you. It grabs your attention with something familiar yet unique, comfortable yet exciting, and proceeds to take you on a journey. It slowly evolves and it’s purpose unfolds from song to song.
It has peaks and valleys, highs and lows. There are times in-between songs when you may find that it’s completely silent. There are other, more frenetic moments when you can’t tell when one tune ends and the next begins.
A good mixtape puts you in that place. It removes you from the world. It can drop you into a black hole or allow you to soar. You get lost in that hard-to-describe vibe, the one that removes you from where you physically are at that very time and place.
This is all in how you decide to order the songs. You’ll want to keep this “journey” in mind as you work.
#5 Build trust.
A good mixtape gains and keeps listeners by subtly earning their trust. Ultimately, the end-game is to enable them to appreciate and/or understand your taste and where you’re headed with your selections. When that happens, you’re upping the odds that the listener will be willing to sit through the more questionable tracks to get through to something really great that’s just around the corner.
#6 Be Yourself.
For me, sharing a mixtape is just spreading the word about stuff I love to my friends.
Putting together and sharing music is very personal. If you come across as if you’re trying to speak to everyone it can sound fake. It’s like the radio adage, “pretend that you’re speaking to one person.” Just be creative and express yourself.
Admittedly, I used to try waaay too hard on this front. I conformed to what I thought others expected me to play, and in radio, what they expected me to sound like on the mic. One DJ I trained under wanted more “bedroom voice”. I thought that was gross. It wasn’t natural, and inevitably didn’t work. The funnest shows and best feedback I’ve ever received was when I didn’t care about what I sounded like. Creating a sequence based on straight-up instinct over the trying-to-be- cool factor can, and will, prevail.
When you’re free from that fear of judgment and the self-imposed expectations that come along with it, you can post anything from obscure garage buzz bands to something deliciously Top 40. Because you’re being yourself and are a friend to your audience, your authenticity will shine through and they’ll get it.
With that said, if you know most of your friends are into a particular style, post it! You want to engage your network – it’ll be more worthwhile and relevant for them to check out. Hopefully they’ll be inclined to share as well. And, in your own interest, hopefully they’ll pay more attention the next time you post.
#7 Do it for the Love.
In the end, you want a mix that you’ll love. If you love it – add it. It’s that simple.
Pick openly, freely, and without abandon. The process is the best part.
It’s a tape for you.
It’s a reflection of yourself, your mood, your interests – a bookmark of where you exist at that particular place in time.
If others dig it – sweet! If not, you’ll always have your creation to love and revisit time and time again.
The first HTML5 album, from Francis and the Lights
Jun 30th
Muxtape founder Justin Ouellette is back with a design created specifically to play on the iPhone 4 and iPad. This is a great workaround as both operating systems notoriously don’t stream Flash. You can listen to the full album, embed it, and download tracks directly from iTunes all while multitasking (a new feature for the iPhone). Pretty cool!
New Music No. 4
Jun 27th
Here, the monthly mixtape! This one is light, breezy, and includes a couple of usual suspects by means of cool indie ‘ish alongside tunes just left of the mainstream. Besides some B-sides left from official releases (Raphael Saadiq, B.o.B.) we’ve got some fun remixes and party jams.
Enjoy!
A taste of who and what you’ll hear:
Human Life “In It Together” (Kris Menace Remix)”
A trio from Southern California made up of Joshua Collins, Matt Wasley & Rachael Starr. Their primary roots are in house music and they toe the line between cool dance and accessible pop which seems to be a big trend right now. It makes sense, as their influences cite everything from French and Chicago house to Genesis, Depeche Mode, Prince and the Happy Mondays.
http://www.myspace.com/humanlifedjs
The Acorn “Restoration (Four Tet remix)”
The Acorn is Rolf Klausener and friends. They’re from Ottawa, Ontario and started writing in 2002 under the name The Acorn. Their vivid songwriting and eclectic instrumentation is inspired by beauty in nature – and is shimmeringly beautiful. The album came out June 1st on Bella Union (the British indie label started by the Cocteau Twins). Pick up 2 free downloads in the mp3 store over at amazon.com.
http://www.myspace.com/theacorn
MNDR “Fade To Black”
MNDR aka Amanda Warner is another artist who combines pop with a love of electronic music.
Gotta give it up for the girl who can do it all – she singularly incorporates her well established musical background (midi programming, sound design, and analogue skills) and has toured with The Shins, The Fruitbats, and Har Mar Superstar among others.
An Amazon search delivers a nail polish by OPI in Electric Orange, so you’re better off hitting iTunes for her EP that came out in April.
Mark Ronson & The Business INTL “Bang Bang Bang” f. Q-Tip and MNDR
The forthcoming album from super-producer Ronson ditches the funk and soul sensibility of his past for a totally different sound. Forever keeping us on our toes, Ronson goes in a different direction incorporating synths and an 80′s dance aesthetic to bring the party proper.
As his past albums that featured collaborators like Wale, Daniel Merriweather and Amy Winehouse, Record Collection - due in September – includes an all-star ensemble including the likes of Boy George, D’Angelo, and Ghostface Killah.
Mos Dub “Hurricane Black” (instrumental)
A free download album from Max Tannone, the same gent who brought us Jaydiohead.
http://soundcloud.com/maxtannone/sets/mos-dub
Alicia Keys “Unthinkable (Lenzman D&B Remix)”
A remix of the inimitable songstress Alicia Keys by Lenzman, a self-described soulful drum & bass producer from the Netherlands. He has a lot of material on Beatport, most of it within the last year or so. No official album yet.
His Soundcloud page is pretty active too -you can check it out at: http://soundcloud.com/lenzman
// the full tracklist //
The Acorn “Restoration (Four Tet remix)”
Human LIfe “In It Together”
MNDR “Fade to Black”
Mark Ronson and The Business INTL “Bang Bang Bang feat. Q-Tip and MNDR)”
Curtiss King “Ren & Stimpy feat. Pheo & Ram)”
The Roots “How I Got Over”
B.o.B. “Trunk Band (feat. T Pain)”
Raphael Saadiq “Seven”
Foals “Miami”
Elite Gymnastics “Real Friends”
The XX “Infinity (Bachelors of Science remix)”
Alicia Keys “Unthinkable (Lenzman Drum & Bass remix)”
The Pharcyde “She Said (Portishead remix)”
Lindstrom & Christabelle “Lovesick”
Ratatat “Alps”
MixCast
Podcast (coming soon)
A Rant on Accessibility, Part 2: Gimme Gimme
Jun 25th
Music Technology is slowly changing. It’s adopting to consumer needs by giving music fans access to music anytime, almost anywhere, from anyplace.
New models like Rdio and Spotify allow us to search and listen for pretty much anything as long as there’s a solid network connection + computer or smart phone. We can easily create playlists and share them with friends. We can discover new music and in the case of Spotify, collaborate on dynamic playlists and create artist or decade-centric radio stations.
Old models like Rhapsody work like a storefront while granting us access to music in exchange for a monthly subscription fee. This model, although advanced at the time, still doesn’t allow us to see other users’ playlists or collaborate in an interactive way.
MOG is a strong contender in the marriage of content with editorial. With a firehose of musical content coming at us constantly, it’s nice to have direction from tastemakers to learn about what’s worth checking out.
Most notably, portability has become a reality with the development of apps for the smart phone. On the open-source Android platform, music specific apps like iMusic and Chompin make listening to music on the go a breeze – and are possibly the cleverest of the new breed.
Both apps aggregate music from blogs rather than hosting the content locally.
iMusic snags it’s musical database from what users are already listening to, similar to how Last.fm agreggates possibly one of the largest collections of music metadata on the internet simply by leveraging the data provided by its users.
By aggregating music from blogs, both services eschew potential legalities of making music available that hasn’t been officially released to the marketplace yet. It also broadens search.
Crawling blogs makes the odds of finding the exact track one is looking for – a b-side, remix, or live version – much greater.
This is particularly important because music fans take pride in discovering something new and/or exclusive. We invest our time in these sites. It’s disappointing when we can’t get access to music we know is out there. We can’t play DJ, or personalize playlists on your site as much as we’d like to.
What iMusic and Chompin are doing is brilliant, not only because it makes the user experience better – but it’s also indicative of a newer and perhaps broader way of purchasing music.
Labels are still hesitant to leave content in the hands of consumers. Sure, we download illegal promos, search for torrents of leaked albums, and unflinchingly pass along un-licensed mixtapes. But in truth this isn’t a bad thing.
Here’s why: music fans do it feverishly. They do it with a passion. They chomp at the proverbial bit for these leaks.
We want to be tastemakers. We’re eager to be the first to tell our friends about something new. And when we like it, we’re telling everyone we know. Hyperdistribution, anyone? Even according to the old business model, this remains the single best way to acquire a superfan.
If a record has stickiness, it can be released into the wild and it WILL be noticed.
It might not be picked up on the traditional charts but you’ll see it on Hype Machine. It’ll appear on We Are Hunted. You’ll see friends dedicate singles to one another and watch viral videos over and over again. Let these users decide what they like. Give them access to everything, and keep an eye on the numbers. If the music is good and the marketing power behind the band is smart enough – the revenue will follow.
The concept of music ownership is affected by the aforementioned technologies anyway. Why would I want to tend to my un-wieldy music collection when I can queue up a playlist in the cloud?
To be clear, ownership is not going away. It’s simply changing.
If I can listen to a full, lo-fi version of a amazing record on repeat – for free – I’ll gladly shell out my hard-earned moolah for hi-res WAV files.
I’ll buy a ticket to the show when the band comes to town. If I’m in love with a particular record (which tends to happen every week with die-hard music fanatics), I’ll see them again and again. I’ll be inclined to purchase vinyl or limited-edition items like prints and other merch.
Make music more accessible – and let the fans decide.
If it’s good enough, they’ll tell their friends. And buy concert tickets. And a hi-res copy of the album. And subscribe to the fan club.
And so on, and so on.
related:
New Music No. 3
May 26th
A mix of some music I’ve been digging this month.
Who You’ll Hear…
Ana is a multi-lingual Chilean rapper who raps melodically in both Spanish and French. Weaving insight and soul into the stories she tells, this beat-driven album is one of my favorites for 2010!
Junip
“Rope & Summit”
This is José González’s band and although they’ve been around for a minute, it’s the first official single coming from the first official EP of the same name. Junip will be touring in early June with an album coming in September and a full tour in November.
Tame Impala
“It Is Not Meant to Be” Innerspeaker (Modular)
Following in the steps of other amazing bands to come from the land-down-under as of late, Tame Impala are from Perth. They’re touring w/ MGMT - sharing a particular junkyard psychedelic sound that MGMT has brought to the forefront of their own latest album. The record “Innerspeaker” is out June 8th in the US.
Penguin Prison
“Something I’m Not (BretonLABS remix)”
Penguin Prison is Chris Glover, a dude from Manhattan who has done remixes for Goldfrapp, Marina & the Diamonds, Sébastien Tellier, Ellie Goulding, among others. This is a remix of his second single that came out in March. Get a FREE copy of the original along with 3 remixes at RCRDLBL.com.
http://www.myspace.com/penguinprison
Broken Social Scene “All To All”(Arts & Crafts)
BSS is a Canadian collective signed to Arts & Crafts records. Most of the musicians are members of others bands, or perform as solo artists (a few names that might ring a bell: Apostle of Hustle, Jason Collett, Leslie Feist, Kevin Drew, Metric, Stars, The Weakerthans). “All To All” is their first album in 5 years, out now.
Future Islands
“Vireo’s Eye” (Thrill Jockey)
Future Islands are a synthpop band from baltimore that formed in 2006 Greenville, NC while studying art at East Carolina University. They signed to Chicago indie label Thrill Jockey last year and the album “In Evening Air” came out early March. On tour now, they’ve got a few dates with Dan Deacon also from the B-More scene. They recently played in Los Angeles May 21 at Sync Space and the 22nd at The Smell.
http://www.myspace.com/futureislands
The National
“Sorrow (Instrumental)” High Violet (4AD)
I’ve always adored the baritone voice of singer Matt Berninger. Each song is epic and the instrumental versions really bring forth the talent of the band.
Miguel feat. J Cole
“All I Want is You” (Jive/Zomba)
Miguel is a singer, songwriter, musician and producer signed to the Jive/Zomba label. He did a cameo on Blu & Exile’s 2007 album “Below The Heavens” and was also on Asher Roth’s 2009 debut album, “Asleep In The Bread Aisle”. Now, he’s stepping out with his debut due later this year!
Watch him talk about the collab with J Cole here (via The Qside.com):
http://www.theqside.com/2010/04/11/miguel-talks-j-cole-collab-2/
http://www.myspace.com/miguel
cool videos including some covers
MIA
“XXXO” (N.E.E.T.)
A single from her upcoming album coming June 29 on her own label. Collaborators include Blaqstarr, Diplo, Rusko, Derek E. Miller of Sleigh Bells (also signed to her label, N.E.E.T.) and Switch.
You may have already seen the video for her other single “Born Free”. Quite controversial, it was removed from YouTube but now it’s back up (flagged as inappropriate). Check it out:
http://www.youtube.com/watch?v=IeMvUlxXyz8
Kele Okereke
“Tenderoni” (Glassnote)
The 28 year-old singer from Liverpool is best known as the frontman from Bloc Party. His solo album “The Boxer” is out June 21 and I can’t wait to hear it! It’s produced by Hudson Mohawke and XXXChange and from the singles sounds like it’ll be more on the electro side of things. Preview more songs, watch videos, and see tour dates here:
Deluka ”
Cascade (Deluka vs. Friendly Fires Chuck Buckett Mix)”
The single out now digitally along with a couple of amazing remixes. I believe the full-length is coming later this year.
Get a free MP3 of this song: http://deluka.bandcamp.com/
Airship
“Kids” (unsigned)
These guys hail from Manchester alongside their contemporaries like Delphic and Dutch Uncles.
Their self-released album came out this week.
Their travelog is cool. Check it out:
http://www.myspace.com/airshiptheband
Music Video Roundup
May 7th
Here, some music videos I’ve been digging this week!
Deluka’s brand new video for the single ‘Cascade’, out now digitally. I love their sound and can’t wait for the full-length later this year! Get a free MP3 of this song: http://deluka.bandcamp.com/ And the EP here.
The debut solo single from Kele Okereke (formerly of Bloc Party) is “Tenderoni” – taken from his debut ’The Boxer’ out 6/21. On his solo debut, Kele collaborates with the producer behind Spank Rock aka Alex Epton, aka Armani XXXchange. Most of my close friends probably remember how OBSESSED I was with Bloc Party (the T-shirts, the shows…and don’t get me started on Matt the drummer) so I’m totally psyched for Kele’s debut. Goodbye to the skinny indie rocker with dreads we once knew and loved! Hello to an entirely different look with an entirely different sound.
The Chemical Brothers “Swoon”
Again, another amazing record to look forward to in June. From the album ‘Further’ due out June 22nd.
Ok-Ok, I know this is the #1 single on iTunes right now but I had to include it because – well – it’s kind of a cool video (and hey, at least it’s not X-tina)!!
hope you had a wonderful week.
besos!
nic.
Digital Jukebox
Apr 6th
Here are a few favorite artists of the moment.
I like seeing the anomalies, like Elvis Presley? Ok.
Sometimes these anomalies are embarrassing, like when you’re caught with Flo Rida as your #1 song!
I e-mail a monthly mixtape to friends and family and will be posting it here soon. Each edition incorporates thematic elements with typically brand-new music.
Other places you can find me:
New Music Preview No. 1
Jan 30th
Right now I’m listening to more music than ever.
Thought I’d share a few singles of what I’ve got in rotation this month.
What are you listening to? I’d love to know!
xx – nicole
Dan Black – “Yours ” (The Hours)
This is an artist I’m really excited for in 2010. The album UN is available digitally right now on the iTunes store, and the album is expected to have an official release next month. He’ll be performing live at Cinespace in Hollywood on 2/23 and Spaceland on 2/24.
http://www.myspace.com/danblacksound
Delphic – “Doubt” (R&S)
Delphic’s debut album Acolyte is out real soon, and it’s already built up a large amount of buzz – they’ve been cited in numerous ‘Ones To Watch in 2010′ lists and have been hyped up a bit on the blogs. The record is lush, modern, energetic electronic music, and if you’re a fan of bands like Hot Chip, Friendly Fires and Empire of the Sun you may dig these guys.
http://www.myspace.com/delphic
ChewLips – “Play Together” (Kitsune)
“Play Together” is a taken from their debut named Unicorn available February 9th on import. I suspect you can find a few singles floating around out there, including issues from some of the recent Kitsune label compilations. You can learn more about the london-based trio at -
http://www.myspace.com/chewlips

We Fell To Earth – “Deaf” (Ais)
A producer group comprised of the duo Wendy Rae Fowler alongside Richard File. Richard is best known for his work with James Lavelle as part of the group Unkle. The two met in fall of 2005 at Rancho de la Luna Studios near Joshua Tree here in So-Cal, where Richard was recording with Josh Hommie from Queens of the Stone Age. The two hit it off and began recording together, with their debut self-titled album released independently last August.
Pete Lawrie – “Black and Blue (Troublemaker remix)” (Field Records/Island)This muti-talented, multi-instrumentalist, singer/songwriter actually has roots as a hip-hop DJ and producer. If you head on over to his website there’s a free mixtape for download that pays homage to his roots. You can check out a few samples of his work prior to this years’ debut coming at us from Island Records.
TAPETHERADIO – “Stay Inside” (unsigned/indie)
The most recent signing to Rough Trade records, this is their second single and is quite appropriate for these wintery days. The song is aptly named “Stay Inside”…
http://www.myspace.com/tapetheradio
Mike Slott – “Gardening” (LuckyMe / All City)
He’s a producer who worked alongside Hudson Mohawke, Dabrye, and others…His first LP Lucky 9teen was released last month by LuckyMe recordings.
http://www.myspace.com/mikeslottbeats
The HotRats – “Big Sky” (Fat Possum)
England’s HotRats is actually the lead singer and drummer from Supergrass – Gaz Coombes and Danny Goffey – alongside rockstar producer Nigel Godrich who’s best known for his work with bands like Radiohead, Beck, and Air. They recently played a few packed shows in LA that included the full band members from both Radiohead and Spoon in attendance. I’m really digging this album. It’s named Turn Ons, and is collection of cover songs -reworkings of classics by the likes of the Doors, the Kinks, the Cure, Elvis Costello, Squeeze, Pink Floyd, Roxy Music, the English Beat, and David Bowie. The album came out Monday.
The Webb Sisters – “Plastered Scene” (Mercury)
They’re sisters from Kent, UK born to a hairdresser father and a tennis coach mother. They signed to Mercury records and released their first LP in June 2006 named Daylight Crossing. They’ve recently collaborated with Angelo Petraglia from Kings of Leon, and were backup singers from Leonard Cohen’s tour in 2008, his first tour in 14 years. They recently played a few dates at the esteemed Hotel Cafe…
http://www.thewebbsisters.com/
Can’t say no to Bowie! Last week he released A Reality Tour Live 2 CD set – 33 songs recorded live from a Nov 2003 show in Dublin.
Choice Albums of 2009
Dec 12th
There were many amazing releases this year from all genres, ranging from well known artists to the obscure.
Below are my top 10 pics for 2009 as well as a quite considerable list of notable runners-up!
Runners Up:
Doves “Kingdom of Rust”
Bodycode “Immune”
Silversun Pickups “Swoon”
Muse “The Resistance”
White Rabbits “It’s Frightening”
Nosaj Thing “Drift”
DJ Vadim “U Can’t Lurn Imaginashun”
One Eskimo “One Eskimo”
Ingrid Michaelson “Everybody”
The XX “xx”
Volcano Choir “Unmap”
The Antlers “Hospice”
Dead Weather “Horehound”
Neon Indian “Psychic Chasms”
Dead Man’s Bones “Dead Man’s Bones”
Califone “All my Friends are Funeral Singers”
Mayer Hawthorne “A Strange Arrangement”
Monsters of Folk “Monsters of Folk”
Phoenix “Wolfgang Amadeus Phoenix”
Click here for last year’s choice music podcasts of 2008.



































