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	<title>flux. &#187; music</title>
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	<link>http://www.nicolecifani.com</link>
	<description>Nicole Cifani&#039;s blog on discourse, media, culture, and society.</description>
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	<copyright>Copyright © culture. discourse. new media. discovery. 2010 </copyright>
	<managingEditor>nicole@cifani.com (Nicole C)</managingEditor>
	<webMaster>nicole@cifani.com (Nicole C)</webMaster>
	<ttl>1440</ttl>
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		<title>flux.</title>
		<link>http://www.nicolecifani.com</link>
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	<itunes:subtitle>Music HI FI: Musings at the Intersection of Music, Media, Marketing, and Technology</itunes:subtitle>
	<itunes:summary>The Music Hi Fi podcast is a mix series that reviews new and upcoming independent releases from the worlds of electronic, hip-hop, dance, and indie rock. Each episode explores brand-new material on an international level and often includes music news and interviews. Hosted by Nicole Cifani, the podcast is produced in a beachy bungalow apartment in the creative hub of Los Angeles, CA.</itunes:summary>
	<itunes:keywords>Music, Media, Marketing, Technology</itunes:keywords>
	<itunes:category text="Music" />
	<itunes:category text="Technology">
		<itunes:category text="Tech News" />
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	<itunes:category text="Arts" />
	<itunes:author>Nicole C</itunes:author>
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		<itunes:name>Nicole C</itunes:name>
		<itunes:email>nicole@cifani.com</itunes:email>
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		<item>
		<title>Playlist Manifesting: What Makes a Great Mixtape?</title>
		<link>http://www.nicolecifani.com/2010/08/playlist-manifesting-what-makes-a-great-mixtape/</link>
		<comments>http://www.nicolecifani.com/2010/08/playlist-manifesting-what-makes-a-great-mixtape/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 04:56:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[bands]]></category>
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		<category><![CDATA[how to create a great playlist]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixtapes]]></category>
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		<guid isPermaLink="false">http://www.nicolecifani.com/?p=1819</guid>
		<description><![CDATA[Every single one of us can be a DJ . We have the ability to be an Influencer, a Critic &#8211; a Purveyor of fresh musical content. From an accessibility standpoint, It’s becoming easier to queue up songs and create deep playlists based on the music we love. Between music blogs and social sites, we [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter size-full wp-image-1828 colorbox-1819" title="[Record+Collection" src="http://www.nicolecifani.com/wp-content/uploads/2010/08/Record+Collection.jpeg" alt="" width="455" height="337" /></p>
<p>Every single one of us can be a DJ . We have the ability to be an Influencer, a Critic &#8211; a Purveyor of fresh musical content.</p>
<p>From an accessibility standpoint, It’s becoming easier to queue up songs and create deep playlists based on the music we love. Between music blogs and social sites, we can preview tracks from established and brand-new artists. We can easily create playlists on the fly, spreading them far and wide to share our respective tastes and express our mood to the world.</p>
<p>Thanks to music blogs, we have the ability to hear upcoming singles at the same time (or even  before) traditional musical tastemakers do. And we&#8217;re not restricted by FCC  rules or political embargos.</p>
<p>The  great news is that online music services are consistently getting  better and the catalogues are becoming deeper.  We can share tracks,  solicit feedback, re-share what our friends have liked and even  collaborate with them.</p>
<p>We are eager to share and eager to please.</p>
<p>With all of this newfound access, content will still prevail. There&#8217;s still an art to crafting the perfect mixtape &#8211; a perfect rhythm and balance that tells a story and will make your friends hunt you down for more.</p>
<p>For  what it’s worth (and so I&#8217;ll stop babbling to strangers about this at parties), I’ve sketched out a few thoughts on what I think  creates great playlist. As a DJ and musical programmer with several years  of community + college radio experience,  I feel that I may be able to speak  semi-intelligently on the issue (ha).  And if I really have no clue what  I’m talking about, please feel free to call me out in any way you see  fit (a playlist battle, perhaps? double ha).</p>
<p>Without any further ramblings, here within please find 7 general tips for giving your best set ever.</p>
<p><strong>#1 Grab ‘em from the get go.</strong></p>
<p>Traditionally,  a DJ mix starts slowly then builds to peak at about 3/4’ths of the way  through. While this may work on a dancefloor, a digital mixtape has  different needs. You’ll want to grab the ear of the listener right away.  This is ‘specially important in an online world where users don’t stick  around for long.</p>
<p>With  that said, this doesn’t mean you should put all of your bangers up  front. It’s not a tempo thing. Instead, think about starting with  something that’s simply really, really good. A banger can be the  equivalent of shouting “WAKE UPPP!!” Not many people like that.</p>
<p>You  can open your mix in a very subtle way (for example, a classical piece  or a clever acoustic cover). Whatever you think is  comfortable yet arresting.</p>
<p>The goal here is two-fold. #1 get their attention, and #2 set the mood.</p>
<p>Whichever way you choose to go, the opening track should set the tone for the rest of the mix.</p>
<p><strong>#2 Pick a variety of songs &#8211; but stay consistent to your theme.</strong></p>
<p>I have a friend who works in music supervision. He loves trendy indie  bands on the folksy, whimsical tip.  And while his mixtape selections are  amazing &#8211; I always learn something new &#8211; in the end it sounds like one  long record by the same band. Ultimately, unless he’s hitting fans  within his niche directly he’s gonna lose people. The mix is too steady  and listeners will easily get bored and go away.</p>
<p>Choose  a variety of songs from different decades and genres. This opens up  your work to a larger audience with a wider variety of taste.  Mixing it  up also keeps listeners on their toes. It keeps it interesting.</p>
<p>The way to tie it all together is through your theme &#8211; whether it’s by mood, subject, or purpose.</p>
<p><span id="more-1819"></span></p>
<p><strong>#3 Be relevant.</strong></p>
<p>Don’t  choose songs “just because”.  Try to pick music that is culturally  relevant and/or very specific to your theme. For example, you can include an  artist who happens to be in town when you publish your mix, or you can feature a  recently re-issued track from a brand-new soundtrack  or collection.</p>
<p><strong>#4 Know how to sequence tracks.</strong></p>
<p>A  good playlist is reminiscent and provokes emotion.  It holds you. It  grabs your attention with something familiar yet unique, comfortable yet  exciting, and proceeds to take you on a journey. It slowly evolves and it&#8217;s  purpose unfolds from song to song.</p>
<p>It has peaks and  valleys, highs and lows. There are times in-between songs when you may find that it&#8217;s completely silent. There are other, more frenetic moments when you can&#8217;t  tell when one tune ends and the next begins.</p>
<p>A  good mixtape puts you in that place. It removes you from the world.  It  can drop you into a black hole or allow you to soar. You get lost in  that hard-to-describe vibe, the one that removes you from where you  physically are at that very time and place.</p>
<p>This is all in how you decide to order the songs. You&#8217;ll want to keep this &#8220;journey&#8221; in mind as you work.</p>
<p><strong>#5 Build trust.</strong></p>
<p>A  good mixtape gains and keeps listeners by subtly earning their trust. Ultimately,  the end-game  is to enable them to appreciate and/or understand  your taste and where you’re headed with your selections.  When that  happens, you’re upping the odds that the listener will be willing to sit  through the more questionable tracks to get through to something really great  that’s just around the corner.</p>
<p><strong>#6 Be Yourself.</strong></p>
<p>For me, sharing a mixtape is just spreading the word about stuff I love to my friends.</p>
<p>Putting together and sharing music is very personal. If you come across as if you&#8217;re trying to speak to everyone it can sound fake. It’s like the radio adage, “pretend that you’re speaking to one person.” Just be creative and express yourself.</p>
<p>Admittedly, I used to try waaay too hard on this front. I conformed to what I thought others expected me to play, and in radio, what they expected me to sound like on the mic. One DJ I trained under wanted more &#8220;bedroom voice&#8221;. I thought that was gross. It wasn’t natural, and inevitably didn’t work. The funnest shows and best feedback I&#8217;ve ever received was when I didn&#8217;t care about what I sounded like. Creating a sequence based on straight-up instinct over the trying-to-be- cool factor can, and will, prevail.</p>
<p>When you&#8217;re free from that fear of judgment and  the self-imposed expectations that come along with it, you can post anything from obscure garage buzz bands to something deliciously Top 40. Because you&#8217;re being yourself and are a friend to your audience, your authenticity will shine through and they&#8217;ll get it.</p>
<p>With  that said, if you know most of your friends are into a particular style, post it! You want to engage your network &#8211; it’ll  be more worthwhile and relevant for them to check out. Hopefully they’ll  be inclined to share as well. And, in your own interest, hopefully they&#8217;ll pay more attention the next time you post.</p>
<p><strong>#7 Do it for the Love.</strong></p>
<p>In  the end, you want a mix that you&#8217;ll love. If you love it &#8211; add it. It’s  that simple.</p>
<p>Pick openly, freely, and without abandon. The process is the  best part.</p>
<p>It’s a tape for you.</p>
<p>It&#8217;s a reflection of yourself, your mood, your  interests &#8211; a bookmark of where you exist at that particular place in  time.</p>
<p>If others dig it &#8211; sweet! If not, you’ll always have your creation to love and revisit time and time again.</p>
<p><a href="../?s=playlist">More posts on playlists</a></p>
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		<title>20 years of Ninja Tune</title>
		<link>http://www.nicolecifani.com/2010/08/20-years-of-ninja-tune/</link>
		<comments>http://www.nicolecifani.com/2010/08/20-years-of-ninja-tune/#comments</comments>
		<pubDate>Sat, 21 Aug 2010 19:24:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[music news and reviews]]></category>
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		<guid isPermaLink="false">http://www.nicolecifani.com/?p=1799</guid>
		<description><![CDATA[This year, British indie label Ninja Tune celebrates 20 years of bestowing upon us layered beats of aural bliss. Founded by the musical duo Coldcut in 1990, the highly-regarded label has made a significant contribution as a pioneer and major influencer of the electronic music space. Now, some 90 artists deep (including artists like Ghislain [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-medium wp-image-1800 colorbox-1799" title="ninja-tune-speakers" src="http://www.nicolecifani.com/wp-content/uploads/2010/08/ninja-tune-speakers-398x400.jpg" alt="" width="279" height="280" /></p>
<div>
<p>This year, British indie label <a href="http://ninjatune.com/home/">Ninja Tune</a> celebrates 20 years of bestowing upon us layered beats of aural bliss.</p>
<p>Founded by the musical duo Coldcut in 1990, the highly-regarded label has made a significant contribution as a pioneer and major influencer of the electronic music space. Now, some 90 artists deep (including artists like <a title="Ghislain Poirier" href="http://en.wikipedia.org/wiki/Ghislain_Poirier">Ghislain Poirier</a>, Amon Tobin, <a title="DJ Vadim" href="http://en.wikipedia.org/wiki/DJ_Vadim">DJ Vadim</a>, <a title="Roots Manuva" href="http://en.wikipedia.org/wiki/Roots_Manuva">Roots Manuva</a>, and <a title="Mr. Scruff" href="http://en.wikipedia.org/wiki/Mr._Scruff">Mr. Scruff</a>) the label continues to serve as inspiration to artists everywhere including those they&#8217;ve sought relentlessly to promote.</p>
<p>Like similar electronic labels (<a href="http://warp.net/">Warp,</a> <a href="http://ghostly.com/">Ghostly</a>, <a href="http://dfarecords.com/main/">DFA)</a> the Ninja Tune sound is distinct, it’s brand is quality, and it’s street-cred thankfully remains intact in a marketplace with increasing crossover between electronic music and pop.</p>
<p>To celebrate, the label has issued Ninja Tune XX Box Set (to be released 10/5) , and the book 20 Years of Beats &amp; Pieces (10/12), telling the story of the label, their artists, and their art.</p>
<p>More:</p>
<p><a href="http://www.ninjatunexx.com">http://www.ninjatunexx.com</a></p>
<p><a href="http://www.ninjatunexx.com"></a>Free <a href="http://itunes.apple.com/us/app/ninja-tune/id359475848?mt=8">Ninja Tune iPhone app</a> by <a href="http://mobileroadie.com/">Mobile Roadie</a></p>
<p><a href="http://www.ninjatune.net/ninjashop/index.php?cat=5&amp;type=Other&amp;by=6&amp;code=ZEN160SB#ZEN160SB">20 Years of Beats &amp; Pieces</a></p>
<p style="text-align: left;"><a href="http://www.ninjatune.net/ninjashop/index.php?cat=5&amp;type=Other&amp;by=6&amp;code=ZEN160SB#ZEN160SB"></a><a href="http://www.amazon.com/Ninja-Tune-Pieces-Labels-Unlimited/dp/1907317007/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1282418098&amp;sr=1-1">Pre-order the book on Amazon</a></p>
<p style="text-align: left;">Related:<br />
<a href="http://www.nicolecifani.com/2009/11/dj-mixing-20-years-of-warp/">10 Years of Warp Records</a></p>
</div>
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		<title>Mining Moof</title>
		<link>http://www.nicolecifani.com/2009/10/mining-moof/</link>
		<comments>http://www.nicolecifani.com/2009/10/mining-moof/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 02:03:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.nicolecifani.com/?p=637</guid>
		<description><![CDATA[Moof.com is one service of many that&#8217;s a step closer to granting us an all-access portal to our iTunes music collections from off-site. A simple .xml export/import from iTunes allows Moof to quickly assess your library, referencing all tracks and playlists located there. Moof currently pulls content from YouTube. Often, it pulls live versions of [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><a href="http://moof.com/" target="_blank">Moof.com</a> is one service of many that&#8217;s a step closer to granting us an all-access portal to our iTunes music collections from off-site.</p>
<p style="text-align: left;">A simple .xml export/import from iTunes allows Moof to quickly assess your library, referencing all tracks and playlists located there.</p>
<p style="text-align: left;">Moof currently pulls content from YouTube. Often, it pulls live versions of songs rather than the original, making it fun to watch video playback while adding a new dimension to the casual listening experience.</p>
<p style="text-align: left;">The site brings closer the idea of having access to our music collection anywhere, from any device of choice (almost &#8211; when am I gonna get access from my car stereo receiver, anyway?). A huge bonus is the ability to share songs and playlists with others.</p>
<p style="text-align: left;">Some sites like <a href="http://drownedinsound.com/" target="_blank">Drowned in Sound</a> and <a href="http://wearehunted.com/" target="_blank">We Are Hunted</a> already do this on cloud-based music streaming service <a href="http://www.spotify.com/en/" target="_blank">Spotify</a>.</p>
<p style="text-align: left;">It will be interesting to see if Moof &#8211; or a related site &#8211; will eventually partner with content providers to enable full-on access to everything in my iTunes library whether it be live versions, remixes, rarities, or originals.</p>
<p style="text-align: center;">
<p style="text-align: center;"><img class="aligncenter size-full wp-image-638 colorbox-637" title="Picture 3" src="http://www.nicolecifani.com/wp-content/uploads/2009/10/Picture-3.png" alt="Picture 3" width="500" height="337" /></p>
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